Two posts ago I gave
a
report of two panels that I attended at Wizard World Comic Con in
Sacramento.
[link] I highlighted the fiction writing advice
given at these panels. One of the panels was about the Satan myth in
the dark fiction genre and the term for the genre itself. I said that
author Richard Kadrey talked about his Satan character in the
Lucifer
comic book series and that he talked some more about it in his
villain creation panel later that same day. That panel is included
here in part two of the report of the writing panels I attended. I
had also said that the report would be divided into three posts, but
it looks like I can complete it in two, so this is the final part.
 |
A "Disco Revolution" band that I watched before attending my first panel on Saturday, Day 2 of Wizard World Comic Con in Sacramento. These guys are really heavy in keeping one of the earliest forms of electronica alive!
Photo Credit: the blogger |
Day 2, Part II
So after the “Modern
Mythology” panel, and getting lunch at the nearby 7-11 because I
wasn’t going to pay nearly 10 bucks for one slice of pizza at the
convention center, I attended the 2 P.M. panel entitled “Villains:
Creating the Perfect Antagonist”. The panelists consisted of
authors Genese Davis, Tricia Stirling (not sure if there’s any
relation to
Bruce Stirling),
Maureen O’Leary, Eric Kieron Davis, and Richard Kadrey. This was a
great discussion of what goes into a well-rounded villiain in
fiction, whether prose, comic book, TV, Movies or games. One key
suggestion that was given was when you create a villain for your
story you should make them look natural and therefore realistic.
Along with that idea, the villain should be hateful to the reader yet
pitiful to some extent and so he or she should be made
sympathetic
to the reader.
Much of the talk
about the complexity of a villainous character came when Genese asked
Richard about his Lucifer character in his
Lucifer comic book
series. Richard’s response was that he didn’t consider Lucifer as
a villain because he is a complex character. He pointed out examples
of how the devil has shown good qualities (even though they may have
been for evil ends) both in his comic series and in other depictions
of him, including the Old Testament. In response to this, Ms.
Stirling said that the more complex the villain is, the scarier
he/she is. She said, “When they’ve lost everything, they have
nothing to lose so they can do anything.” This means that the
extent to which they do evil can be unpredictable and utmost
destructive to others. Even so, as Genese said, the writer must give
the villain’s side of the story (which to the villain him-/herself,
they are not a villain). But going back to the good qualities the
well-rounded villain has, you can see examples of how scary such a
character can be. Look at
Psycho, for example: the killer
comes across as a very ordinary, hospitable young man. Yet when anger
shows up even at a small scale when one of his guests asks about the
insanity of his mother, we know something is not quite right with
him.
Another great piece
of advice the panelists gave was to think about the “villains” in
our own lives while creating our antagonists. We’ve all encountered
the “worst” of people in our lives such as unreasonable and
unmerciful supervisors,
corrupt
cops or biased high school teachers.
And
so knowing the qualities
of real-life people such
as these can help us create the villains for our fiction. Erik
Davis said that modern fears such as ones caused by war, disease, the
vastness and mysteriousness of space, and overpopulation help to
create a villain. Fears such as these often stem from the belief in a
limitation of resources and from death and so leads to villains
becoming obsessed with these fears.
The next writing
panel I attended was at 4 PM and was called “Finding Time and
Motivation to Write”. It was led by Genese Davis, Catherine Banks,
Becky Chambers and Kelley York. They discussed how to make the time
to write during our busy schedules. I got more notes from the
motivation part of the panel than the
time
part. Some of the advice offered was breaking down your writing
goal(s) into smaller or “sprint” goals (as one of the panelists
called them). Doing this helps schedule your writing more easily as
well as keeping on top of it.
One of the
motivation techniques was one that concerned location. Genese
suggested that to get yourself excited about your story you can write
in a different location than you normally would. For example, if you
normally write at home and feel like you’re losing the motivation
to write, then work on your writing in a coffee shop on certain days.
It was also mentioned that one cause of losing motivation to write is
fear of the project not working out and what other people will think
of it. It was discussed that this fear must be overcome or your going
to lose interest in writing.
Other suggestions
for motivation was to surround yourself with plenty of resources that
would inspire you to write such as art or photos in your genre. With
internet you can almost always find these. I commented on this by
saying to everyone that what has helped me is reading bios or, better
yet, autobiographies of authors or watching documentaries, interviews
and talks by your favourite authors. You can find plenty of these on
YouTube if you just put in the name of the author in the search box.
Another great
motivator someone brought up was, what they called, an “award
system”. It works something like this: set a goal to write so many
words and then award yourself when you reach it. For a higher number
of words, make the award bigger. For example, tell yourself if you
write 500 words in one day then you’ll play ten minutes of your
favourite video game; if you reach 1000 words in a day, you’ll
spend a half hour playing that game, and so on.
But one of the most
important motivators was stressed by Ms. Davis at the end of the
panel and that was networking. Networking is an important motivator
because it can be wearing and even discouraging to always handle our
writing by ourselves. When we talk to each other either in person or
online about our writing projects and give each other advice and ask
for help, it takes the load off us a lot more than if we handled all
aspects of our writing alone. It makes it much easier or at least
manageable in handling our writing projects.
Also, I believe
someone said that networking does include blogs. All writers,
especially self-publishing ones like myself, should have a blog as
well as visit other writers’ blogs and discuss what works for them
and what doesn’t. Also leave comments on other writers’ blogs. So
if you feel your lacking a writers network, you can start involving
yourself in one right now and here! Leave a comment about the post.
To help you get started, some questions you can answer are ones such
as: of the above writing advice, which one do you find most helpful?
What motivates you most to write? When you don’t feel motivated
then what do you do to motivate yourself? Leave your answers in the
box below.
Day 3
On Sunday of the
con, I didn’t attend any writers panels, but I did attend a panel
called “How to Build a Geek Brand”. However, I won’t go into it
a lot because this was more of a marketing panel than a writing one
but it helps in promoting your work. Just a couple of highlights were
how to name your brand and how to finance it (which Patreon and
Kickstarter were suggested platforms for)
The panels at Wizard
World Comic Con Sacramento were mostly aimed at comic book writers
and artists. But the above panels I mentioned can work both for prose
fiction writers as well as comic book writers. That’s because both
mediums are forms of storytelling and when writing is behind the
storytelling the basic elements are all the same:
clarity,
connecting the writing to your readers, and keeping yourself
motivated in your writing.
Next week, I’ll
return to discussing the status of my seemingly never-ending writing
projects.
Until then . . .
