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The Machine is Robbing the Book Cover Artist

A cartoon robot is holding and pointing to a pencil.
Credit: Pixabay.com



It looks like Iā€™m going to have to outsource for the photographic version to the cover of ā€œCirca Sixty Years Deadā€. I tried getting together a digital cover during the week and I just couldnā€™t do it in the little time that I have. Itā€™s a hell of a lot tougher than one would at first think, but a lot of the problem isnā€™t that itā€™s tough. A lot of the problem is that Iā€™m just not a digital artist. I am a freehand artist. Yet I know the majority of the book market today does not call for freehand illustrated book covers which is a damn, sad thing because it is a result of the total reliance on computer technology that is robbing the freehand artist of what he/she does best and puts their heart and soul into.

So while I donā€™t embrace the digital trend in book cover illustration, I need to sell my books and so I am willing to have a digital cover edition of my book made. I wonā€™t go into the details of this circumstance here because Iā€™ve already done that in several past posts. Here are the titles and links to them:








When I make my book cover illustrations from my own hands, I do so knowing Iā€™m not going to make big sales on the books that I apply them too. So, in a way, Iā€™m sacrificing a bigger bundle of money I would get in order to help keep freehand art alive and serve the needs and desires of the minority readership. But to make sufficient money from the books, Iā€™ll have to give into that capitalistic notion that says the machine makes the product ā€œbetterā€. And so I have to offer, as an option, a digitally produced cover illustration edition of the book.

If given the choice, would you purchase an edition of a book with a hand produced cover illustration over one with a digitally produced one? In doing so, do you believe you would be contributing to preserving freehand art?

Until next time . . .

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