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Sunday, August 20, 2017

‘Circa’ Now With an Improved Book Cover; Imprint Logo; Joe Hill

While we still have some daylight this weekend before the solar eclipse, let me show you my past week in writing, viewing and even drawing. These include advice from son of Stephen King, author Joe Hill and the improved book cover for the paperback version of “Circa Sixty Years Dead”.

Joe Hill Interview on You Tube

This afternoon, after watching my Saturday morning (vintage) cartoons on YouTube (actually one was a live-action kids sci fi series from the seventies, Space Academy ), I watched an interview with NOS4A2 author Joe Hill. He had a lot of interesting things to say about his writing and useful techniques he uses for it. One of those techniques I’d like to try with my own stories, which helps both story and character development. That technique, he says, is taking a character from a larger work in progress and writing a separate, shorter story around it just for the sake of developing the character. That’s a technique that I can definitely use since I often struggle trying to write the first draft of a story due to not knowing my characters well enough yet. For these and many other great topics Joe discusses, check out the interview below.

Sketching An Imprint Logo

Whether a self-published author realises it or not, he or she is a publishing business. But to make this more official and known to others, that author needs publicised business promotional materials such as a business card. A self-publisher may be a small business but a business nevertheless. There is a term for small publishing companies and that is “imprint”. “Imprint” actually refers to the subsidiary of a large publishing house, but it has been used interchangeably for self-published authors. Lately, I’ve been drawing concept sketches for the logo for my imprint, which I’m strongly planning on calling “Far Out Phantastic Press”. That is, if I can fit all that on the business card.

One of the implications of graphic design is having to consider the space of the surface or medium you want to put the content on and whether it will fit without sacrificing important details. For example, originally I wanted to angle the lettering of the imprint name in order to give the effect that it was stretching back into space so it would reflect the literal meaning of “Far Out” (See first concept sketch below). However, I discovered it would not be practical in a small amount of space such as on a business card since the first two words of the imprint name would be too hard to read. So I decided to run the logo across the surface in a frontal position. Now I need to see if that can be done without having to make the lettering too tiny and therefore illegible. Here are a couple of concept sketches.

A concept sketch of part of an imprint logo with a skull for the brand icon at an angled position.
Credit: Steven Arellano Rose, Jr.

A concept sketch of an imprint logo with a skull as the brand image (frontal position).
Credit: Steven Arellano Rose, Jr.

Revised Book Cover for ‘Circa Sixty Years’ Paperback

“CircaSixty Years Dead” paperback edition is now available with its improved cover. However, I only ordered my “proof” copy of it a couple days ago so I cannot say how improved the graphics are. But because I used the tools suggested by Kindle Direct Publishing to make the recommendedchanges, I’m expecting some significant improvement. You can purchase a copy now, [link] still only $3.89, or you can wait until yours truly makes the full test of the product and therefore receives his copy to tell you how it really turned out. That is, if Monday’s solar eclipse doesn’t turn out to be a bad omen causing the postal carriers to lose course in the dark. Because the poor cover of the first release of the paperback was at least partly my fault, I will leave the price at $3.89 through next weekend, maybe even through that following Monday. By then the solar eclipse will have been long done and so I should have received the print copy in the mail to tell you how it turned out.

I’ll have more about “Circa Sixty Years Dead” paperback edition and the name and image in my imprint logo next post.

Until then . . .  

Saturday, August 12, 2017

Tools Not to Miss if You Self-Publish a Paperback

If you happen to not have purchased the paperback copy of “Circa Sixty Years Dead” then no worries. You may be better off waiting a few days and I’ll leave it at its initial low price of $3.89 a little longer. The reason I’m saying this is because, as I promised you last post, I purchased a copy myself as kind of a proof (or author’s) copy. It turned out to be a proof alright. A proof that it didn’t come out the way I intended it to. I confess much of this was due to myself missing overlooking certain tools on Kindle Direct Publishing’s cover creator program.

If you happened to have bought a copy of the paperback version of “Circa” you probably noticed a long, ugly, gray line running along the left edge of the front cover. Not only that, but the lettering of the title and the image under it were pixelated. “Circa” is not a cyberpunk story, so the pixelated edges won’t work for customers. I apologise if you bought it like that.

A pixelated, retro video game-style monster.

The problem is that the previewer in the book cover creator is not a precise image of what the product will look like in actuality and therefore in print. But as I said last post, we would take the risk together and I definitely took that risk. So we both wasted $3.89. But it’s not a total waste. We paid to see how well the book would turn out, and if you read it I sure hope the story at least turned out way the hell better than the cover did and that you got some of your money’s worth. So what you can do is, if you haven’t done so yet, leave a review on “Circa”’s Amazon page  and I’m perfectly fine with you saying the book cover sucks if you really think it does, because it does.

In the meantime, ever since I received my “proof” a couple days ago in the mail, I have been doing all I can to improve the cover. I confess there were some tools on the cover creator that I had somehow missed and using them could have prevented this screw up. If you happen to be planning to self-publish a paperback, espcially through Kindle Direct, take this as a warning not to miss any of these tools. One of these was a “3-D” view mode which allows you to manipulate the position of the image of the book so you can see front, back and spine.

Another tool was one that scales the image on the book cover. Kindle Direct strongly recommends all images are a minimum of 300 dpi (dots per inch). Using this tool, if you scale the image to a low enough or high enough percentage it will likely get rid of the pixelation and any blurriness the image may show when it comes out in print. In my case I had to scale the cover’s image down to about 23.-something (I can’t remember the exact percentage) in order to get it to the 300 minimum dpi. Once I did that, I relaunched the book and so hopefully it will be available in its improved form for purchase in the next day or two. And, because Kindle Direct doesn’t offer free or even discounted proofs, I will purchase another copy for myself once the improved form is available.

I’ll let you know more what happens with the relaunch of “Circa”’s paperback edition next time. Also next time, I’ll have news on the logo I’ve been working on for my self-publishing imprint. In the mean time, for you fellow self-publishing writers out there, have you tried KindleDirect Publishing’s paperback publishing tool yet? If so, what have your experiences been with it?

Until next time . . .

Saturday, August 5, 2017

‘Circa Sixty Years Dead’ Now In Paperback!

Well, finally it’s here! “Circa Sixty Years Dead” is now in paperback format. If you’re like me, and prefer to read books in their physical forms instead of on a screen where you can’t even feel the pages that you are reading or where you can’t even put it on your (physical, not virtual) bookshelf to show your guests that you’ve read it, then now you can have the full literary experience of “Circa”. 

To celebrate its print release, I’m offering the paperback edition of my short fiction story at a low price. After all the challenges and frustrations of navigating through self-publishing technology, it feels great to see that your book is available for purchase, let alone that it has been published—self-published at that. So I’m selling the print edition for the low price of $3.89! But this bargain won’t last long, so if you are interested in purchasing a copy or, better yet, several copies then head on over to Amazon now. In fact, as part of this celebration, I’m going to get a little narcissistic and take advantage of my own offer. Yes, I am going to purchase a copy myself!

Okay, part of the reason for doing that is that the Kindle Direct Publishing service does not offer author’s copies at a discount, unlike Create Space (which Amazon also owns) who I had self-published The Fool’sIllusion through a few years ago. If they did, then I’d probably only have to pay the same price as I would the e-book version which is 99 cents. So, we can take advantage of this offer together then!

If you do purchase and read “Circa”, please leave a review saying what you liked or didn’t like about it. Those reviews help us authors learn what we can do better in our next work to please you the readers and make our stories worth your time and money. If you are just tuning in for the first time here at the Fantastic Site, then take a look at the synopsis below to find out what “Circa Sixty Years Dead” is all about!

A book cover depicting a six-armed goddess statue with a decayed face.
Now Available in Print at Amazon!

Dr. John Jacobs is a young, eccentric archaeologist on an expedition in the Chinese-Indian border region. But then he sees a centuries-old statue of a goddess uncovered by a neighboring expedition. All he wants is to take a picture of it to forever capture its beauty. He could easily do it if it weren’t for those rigid, international regulations—regulations he is willing to go against. But Jacobs will soon find out that his own lust for the colossal artifact will result in a consequence more terrifying than any earthly penalty.

If you like Saturday matinee archaeological adventure or late night horror movies about cursed tombs and the undead, then you will like this tale by Steven Arellano Rose.

(From the back cover of “Circa Sixty Years Dead”, paperback edition)

Until next time . . .


Saturday, July 29, 2017

Book-to-TV Series Sci Fi; PDF and Self-Publishing

A robot warrior and a cat-like creature overlook a misty landscape.

The last couple days in publishing my work have both been great and frustrating.

My Latest Article On Sci Fi/Fantasy Books and TV

I said a while back that I sold an article to an online science fiction/fantasy magazine called BuzzyMag but that it may be a while before they actually publish it. Well the wait is over! The article is now live. “It’s alive! It’s alive!” (as Dr. Frankenstein in Universal’s Frankenstein shouts.) It covers one of the newest trends in sci fi and fantasy television: TV series based on books in the two genres. With TV shows like The Expanse, American Gods and The Man In the High Castle, that are all based on best-selling or award-winning books, there are many more TV shows such as these to come in the near-future. I discuss those as well as past and current shows based on novels in my article entitled “TheTop 10 SF/F TV Series Based On Books” at BuzzyMag. Feel free to leave any comments either there or here.

“Circa” Print Edition Update: Resubmitting the Manuscript as a PDF File

Speaking about publishing, an indie author like myself doesn’t really know or remember how tough self-publishing is until they are actually doing it. Yesterday when I was trying to submit my manuscript for the print edition of “Circa Sixty Years Dead” to Kindle Direct Publishing’s beta paperback publishing program, I was going through a series of file types to get the manuscript to lay out correctly. None of them worked. Amazon suggests submitting manuscripts in PDF formatted files because is more compatible to the publishing program. I had been considering making a PDF version of my manuscript since yesterday afternoon when I started having the submission problems but didn’t have a PDF converter. Or I thought I didn’t.

I tried searching the internet for a free converter that was recommended by articles in well-known tech magazines such as Wired and PC Mag. Well, it was just this afternoon that I was looking at an article at that suggested Libre Office. I’ve been using Libre Office for typing my stories for the last year or so, ever since Microsoft stopped providing its own Office package with Windows. However, I didn’t know that it had a PDF converter or editing tool until I glanced through that article. I looked on the file menu of the Writer software of my copy of Libre Office and, sure enough, there was an option to convert files to PDF that was labeled “Export as PDF”! I clicked on that with the odt (open document format) file of my manuscript open and it created a PDF copy. Now to see if Kindle’s paperback publishing program will accept the file even if it’s been created by an open source program like Libre. Microsoft Word has seemed to be the standard for everything for the last 20 years.

I’ll update you next time and let you know how the PDF file of my manuscript submission worked out. If next week’s post’s headline reads something like “’Circa Sixty Years’ Print Edition Now Available” then that means it worked out.

Until next time . . .  

Saturday, July 22, 2017

‘Valerian’ and San Diego Comic Con ‘Blade Runner 2049’ Promos

I’m submitting my complete file for the print edition of “Circa Sixty Years Dead” early next week. Hopefully it will be available for purchase by Wednesday. I’ll post an update for the release on my Facebook page and definitely here next week. As busy as a weekend it has been, I’m squeesing in some time for a summer sci fi flick—Valerian and the City of a Thousand Planets.


I’m always looking for the Star Wars-type blockbuster each summer and it looks like Valerian could be it. In fact, according to TheHollywood Reporter, it even borrows from Star Wars. However, according to the bulk of critics, it hasn’t been much of a blockbuster on this weekend of its release. But it’s definitely blockbuster-like yet with its own style and vision from its director, Luc Besson, who also directed The Fifth Element back in the ‘90s and look what became of that. It became a cult classic, and hopefully this movie will too. The reason I say that is because the majority of our nation’s population seems to only want to see what mass consumerism demands and so what the majority of people are willing to pay money for. They say “Screw the director’s vision!” This is how Hollywood works, unfortunately. Because of that, a good many films of unique style and vision have been turned down.

Europe’s movie industry has traditionally not been like that, this movie having grown out of France like the comic book series it originates from. Surprise! Not even a European surreal style film can get away from the comic book movie craze of the past 10 years. But I’ll see this new release on the big screen over a Guardians of the Galaxy new release anytime. Yet, hopefully it will stand well on its own while staying faithful to the comic. Not that I’ve read the comic. But if the movie’s really good I may pick up an anthology of reprints of the comic series and read it. If it’s really bad, then I’ll still read the comic because it will probably be better than the movie. Here’s a good article that compares the two. 

Blade Runner 2049 Promos

San Diego Comic Con (which I have not attended any yet) has been doing a lot of promotion of the upcoming Blade Runner sequel, which continues the adventures of Rick Deckard (Harrison Ford) and a new generation’s hero, K (Ryan Gosling), who takes the spotlight in this film. The movie is a sequel to the 1982 original that’s based on Philip K. Dick’s book, Do Androids Dream of Electric Sheep?. I read two interesting articles on the con’s promotion of the movie: one about a VR/ live-performance combo tease, the other about a timeline graph that shows the events between thefirst film and the upcoming one (which is due to release in October). Check them out!

That’s what’s happening this weekend. Next weekend will be two cons which I may or may not go to both but will attend one of them for sure. I’ll talk about that more then along with other topics in sci fi/fantasy reading, writing and viewing.

Do you think Valerian and the City of a Thousand Planets is destined to become a cult classic like The Fifth Element?

Do you think the sequel to 1982’s Blade Runner will be good even though it won’t be based directly on Philip K. Dick’s novel (since the novel itself never had a sequel)?

Until next time . . .

Saturday, July 15, 2017

Wizard World Con Report, Part II: More Writing Tips!

Two posts ago I gave a report of two panels that I attended at Wizard World Comic Con in Sacramento. [link] I highlighted the fiction writing advice given at these panels. One of the panels was about the Satan myth in the dark fiction genre and the term for the genre itself. I said that author Richard Kadrey talked about his Satan character in the Lucifer comic book series and that he talked some more about it in his villain creation panel later that same day. That panel is included here in part two of the report of the writing panels I attended. I had also said that the report would be divided into three posts, but it looks like I can complete it in two, so this is the final part.

Three members of a disco band playing in a concert.
A "Disco Revolution" band that I watched before attending my first panel on Saturday, Day 2 of Wizard World Comic Con in Sacramento. These guys are really heavy in keeping one of the earliest forms of electronica alive!
Photo Credit: the blogger

Day 2, Part II

So after the “Modern Mythology” panel, and getting lunch at the nearby 7-11 because I wasn’t going to pay nearly 10 bucks for one slice of pizza at the convention center, I attended the 2 P.M. panel entitled “Villains: Creating the Perfect Antagonist”. The panelists consisted of authors Genese Davis, Tricia Stirling (not sure if there’s any relation to Bruce Stirling), Maureen O’Leary, Eric Kieron Davis, and Richard Kadrey. This was a great discussion of what goes into a well-rounded villiain in fiction, whether prose, comic book, TV, Movies or games. One key suggestion that was given was when you create a villain for your story you should make them look natural and therefore realistic. Along with that idea, the villain should be hateful to the reader yet pitiful to some extent and so he or she should be made sympathetic to the reader.

Much of the talk about the complexity of a villainous character came when Genese asked Richard about his Lucifer character in his Lucifer comic book series. Richard’s response was that he didn’t consider Lucifer as a villain because he is a complex character. He pointed out examples of how the devil has shown good qualities (even though they may have been for evil ends) both in his comic series and in other depictions of him, including the Old Testament. In response to this, Ms. Stirling said that the more complex the villain is, the scarier he/she is. She said, “When they’ve lost everything, they have nothing to lose so they can do anything.” This means that the extent to which they do evil can be unpredictable and utmost destructive to others. Even so, as Genese said, the writer must give the villain’s side of the story (which to the villain him-/herself, they are not a villain). But going back to the good qualities the well-rounded villain has, you can see examples of how scary such a character can be. Look at Psycho, for example: the killer comes across as a very ordinary, hospitable young man. Yet when anger shows up even at a small scale when one of his guests asks about the insanity of his mother, we know something is not quite right with him.

Another great piece of advice the panelists gave was to think about the “villains” in our own lives while creating our antagonists. We’ve all encountered the “worst” of people in our lives such as unreasonable and unmerciful supervisors, corrupt cops or biased high school teachers. And so knowing the qualities of real-life people such as these can help us create the villains for our fiction. Erik Davis said that modern fears such as ones caused by war, disease, the vastness and mysteriousness of space, and overpopulation help to create a villain. Fears such as these often stem from the belief in a limitation of resources and from death and so leads to villains becoming obsessed with these fears.

The next writing panel I attended was at 4 PM and was called “Finding Time and Motivation to Write”. It was led by Genese Davis, Catherine Banks, Becky Chambers and Kelley York. They discussed how to make the time to write during our busy schedules. I got more notes from the motivation part of the panel than the time part. Some of the advice offered was breaking down your writing goal(s) into smaller or “sprint” goals (as one of the panelists called them). Doing this helps schedule your writing more easily as well as keeping on top of it.

One of the motivation techniques was one that concerned location. Genese suggested that to get yourself excited about your story you can write in a different location than you normally would. For example, if you normally write at home and feel like you’re losing the motivation to write, then work on your writing in a coffee shop on certain days. It was also mentioned that one cause of losing motivation to write is fear of the project not working out and what other people will think of it. It was discussed that this fear must be overcome or your going to lose interest in writing.

Other suggestions for motivation was to surround yourself with plenty of resources that would inspire you to write such as art or photos in your genre. With internet you can almost always find these. I commented on this by saying to everyone that what has helped me is reading bios or, better yet, autobiographies of authors or watching documentaries, interviews and talks by your favourite authors. You can find plenty of these on YouTube if you just put in the name of the author in the search box.

Another great motivator someone brought up was, what they called, an “award system”. It works something like this: set a goal to write so many words and then award yourself when you reach it. For a higher number of words, make the award bigger. For example, tell yourself if you write 500 words in one day then you’ll play ten minutes of your favourite video game; if you reach 1000 words in a day, you’ll spend a half hour playing that game, and so on.

But one of the most important motivators was stressed by Ms. Davis at the end of the panel and that was networking. Networking is an important motivator because it can be wearing and even discouraging to always handle our writing by ourselves. When we talk to each other either in person or online about our writing projects and give each other advice and ask for help, it takes the load off us a lot more than if we handled all aspects of our writing alone. It makes it much easier or at least manageable in handling our writing projects.

Also, I believe someone said that networking does include blogs. All writers, especially self-publishing ones like myself, should have a blog as well as visit other writers’ blogs and discuss what works for them and what doesn’t. Also leave comments on other writers’ blogs. So if you feel your lacking a writers network, you can start involving yourself in one right now and here! Leave a comment about the post. To help you get started, some questions you can answer are ones such as: of the above writing advice, which one do you find most helpful? What motivates you most to write? When you don’t feel motivated then what do you do to motivate yourself? Leave your answers in the box below.

Day 3

On Sunday of the con, I didn’t attend any writers panels, but I did attend a panel called “How to Build a Geek Brand”. However, I won’t go into it a lot because this was more of a marketing panel than a writing one but it helps in promoting your work. Just a couple of highlights were how to name your brand and how to finance it (which Patreon and Kickstarter were suggested platforms for)

The panels at Wizard World Comic Con Sacramento were mostly aimed at comic book writers and artists. But the above panels I mentioned can work both for prose fiction writers as well as comic book writers. That’s because both mediums are forms of storytelling and when writing is behind the storytelling the basic elements are all the same: clarity, connecting the writing to your readers, and keeping yourself motivated in your writing.

Next week, I’ll return to discussing the status of my seemingly never-ending writing projects.

Until then . . .

Saturday, July 8, 2017

Cover Reveal: 'Circa Sixty Years Dead' Front and Back

I know, I said last week that I would have part two of the Wizard World Comic Con report here. But the last few days have been hectic with time sensitive book promotion projects and getting the pad (house) ready for family coming from out of town that I haven't been able to finish writing the report. And to make matters worse, I haven't released the print edition of Circa Sixty Years Dead. Liar, liar pants on fire me! Actually, there's a good excuse for delaying the latter: I thought it would be a good idea to so a cover reveal for the back cover summary, which I did finish as I said I would last post, and give you the opportunity to give your opinion of it before I release the book. Your comments about how well the summary itself works will be greatly appreciated, but I'm also open to any feedback about the overall appearance of the back cover. In order to see the cover's details more clearly, simply click on the image.

I'll have the rest of the con report with more writing advice here next week.

Until then . . .

Book cover, front and back, with a six-armed goddess statue on the front and summary on the back.
Front and back cover for Circa Sixty Years Dead, print edition (simply click the image to see the details better)
Credit: Steven Rose, Jr.

Saturday, July 1, 2017

Wizard World Con Report, Part I

A backdrop with the Wizard World Comic Con Logo and the silhouette of a city.
Credit: Wizard World

I apologise for missing last week’s post. I was busy with a special writing project that was due any day and so I didn’t have time to post anything except to my Facebook page. You can visit my Facebook page for any updates in between blog posts. 

I promised you a fuller report of Wizard World Comic Con Sacramento in my last post and so that’s what I have here for you today. However, I don’t have enough time to go over all three days of the con in one post, so I’m going to break up the coverage into three parts. The con offered a lot of great events such as cosplays and panels on comic book creation, including art and writing. I’m not a costumer but I just dug seeing the people who are and that go way, way out with their apparel! And that’s a great thing. To see what I mean, check out the photos in my last post if you haven’t done so yet. 

But my favourite part about sci fi and fantasy conventions is talking to the other artists and writers as well as attending their panels. Panels by experienced writers and artists don’t only give you great tips for your own work or insight about what goes into your favourite comic book series or novel series, but they also give you motivation to create and read more. And even though this convention emphasised comic creators, many of the creativity panels--especially the ones on writing--work for fiction in any medium whether it be comics, prose books, TV, movies or even video games. So here’s the more detailed highlights of Wizard World Comic Con Sacramento that was held at the convention center in downtown Sacramento, June 17 through 19.

Day 1 of Wizard World

I don’t have a lot to say about day one, since I was only at the convention for a couple hours and only attended one panel and it wasn’t even the whole thing. I went there that late, hot Friday afternoon mostly to pick up my admission wrist band and check out the refreshing air conditioned dealers room which was almost the size of the Golden 1 Center arena. Dealer booths covered at least a good three quarters of it.

So after I looked around at some art and talked to a couple comic book creator friends at their booth, I sat down at the panel that was going at the Creative Stage set up their in the dealers room. The panel was called “From Beginning to End: The Art of Plot”. There were at least three panelists there. The main one was comic book creator Victor Dandridge and one of the others was novelist Todd Gallowglas. I did not take notes on this panel, because I was only there for about ten minutes, but I do remember Todd saying something like that one of the things he does to motivate himself to write and finish his books is that he puts his empty wallet in front of him at his work space and that reminds him of the bills he has to pay. And another panelist said that, for him, there’s no such thing as writer’s block and that it’s only a fear of writing. If I remember correctly, he said that the easiest way to handle it is to write anything no matter how much of crap it is. Whatever, I believe this approach to writer’s block and have heard of it from other pro writers. Just write the rough draft and complete it; there will be plenty of time for revision and even re-creation later.

Day 2

As far as Saturday’s writing panels I attended go, the first one was called “Modern Mythology, Classic Horror and the Devil Incarnate”. The main panelist was Richard Kadrey, writer of the comic book series Lucifer, which was no wonder they named the panel the way they did. But much of this talk discussed the dark genres such as horror and dark fantasy although Kadrey said he does not like the word “dark” because it’s a relative term and that he doesn’t like being labeled as a dark genre author. This is a problem that many writers have when their books have been published and marketed, especially famous authors because they tend to be looked at only for the genres they mostly write in. I don’t plan to limit myself to writing dark fiction or science fiction for the rest of my life, even though they’re my favourite genres and I’ll regularly write in them. But because I like literature that is dark, especially supernatural fiction, the word “dark genre” doesn’t bother me in the least.

The problem one of the other panelists, author Genese Davis, had with the genre label of “dark” was that it scares people away from buying, reading or watching things in that category. But my belief is that if it scares those people away, then that’s not our target audience and that’s probably a category of fiction not for them. That is why we classify fiction into genres. Personally, I want to know what I’m purchasing or checking out before I spend my money or time reading the book. I do read outside the speculative genre, but when I want to read in it I want to know where to find it in a book store or library.

Kadrey went on to give a really great writing tip. That tip was to that when we write to go into the project with as much ignorance as possible for better creativity. I believe what he meant by this was that if you write with as little conceived notion as possible about how you want your story to turn out, it will more likely come out as a unique piece. It goes along with my personal philosophy about writing, especially fiction writing, which is that it is a journey. It’s a trip that you take into a conceived time and space, into a setting of a sort, where you don’t know what you will come across or how you will get to the end. Approaching fiction writing in this way helps you to develop your story in directions other writers haven’t taken before and it makes it more enjoyable for you as the writer. I mean, who wants to take a trip knowing ahead of time exactly every detail they are going to see? That would be boring and unenriching.

The panel also discussed mythology in today’s pop literature, TV and movies. Richard talked about his approach to his Greek god characters in his novel, Sandman Slim. He said that every Greek deity “is a jerk” and that this makes their characters ambivalent and he wants to keep the continuity in that trait between his stories. This is why the Greek deities continue being popular in today’s story-telling because, unlike many of the other deities of mythology, they are flawed and very human-like. The difference between them and humans is that the gods are immortal and they have powers that exceed the strength of humans.

As far as the Satan character goes, Kadrey mostly talked about how the devil is depicted in his own work which is as a hero, particularly in Lucifer. So the version of his Satan derives, as he explained, from Milton’s in Paradise Lost. He discussed the Satan/Lucifer character more in his other panel I attended that day, which I will talk about in the next post.

“Circa Sixty Years Dead” Update

I just finished the back cover summary for the print edition of “Circa”. I’m going to add it to the back cover in the template and will submit the book for publication during the week. Hopefully it will be available for purchase by the next post.

Until then . . .

Saturday, June 17, 2017

Wizard World Comic Con Sacramento 2017: Mini Report

I mentioned last time that I would have a review of Steve Sabatka’s YA sci fi novel, Mr. Fishback’s Monster. However, this weekend was Wizard World comic con in Sacramento which your blog host, Big Bro Steven of the UnOrthodox Geek Church, has been attending and will attend tomorrow (the last day) as well. So I’ll save the review for another time, since I’m not even going to have time for a full write-up of the con this evening. As far as the con goes, though, I’ll give a small brief.

There has been some some really great panels on fiction and comic book writing at this year’s Wizard World, one about creating villainous characters and another about the Satan myth in horror and other dark fiction. I met some really interesting fellow authors there who were really helpful with advice at their panels. And the dealers’ room is always big. There must’ve been at least a hundred booths there, which is a lot for a comic convention in Sacramento. Even though much of the dealers’ room emphasises new factory-line collectibles, such as Funko’s Pop vinyl figures, there are some booths that sell vintage collectibles and there are always super artists, writers and other creators selling their super work. Wizard World has gotten so big since its debut here four years ago that it’s nearly become San Diego Comic Con for Sacramento! Like I said, I’ll have a fuller review of the con, especially of the fiction writing panels, next time. But for now enjoy the pics below that I snapped there.

A cosplayer wearing a computer monitor mask offers a platter of candy.

The Screen Man Maitre D’? of an animaid cafe there at the con.

A statue of Marvel's Hulk with with a base bearing the Avengers logo.
Credit: Marvel Comics
This statue of the Hulk must’ve stood at least 12 feet high. Fifteen feet if you count the debris base he was standing on!

Statue of Iron Man holding out a hand in a blast pose.
Credit: Marvel Comics
Iron Man gets ready to shoot a blast of energy from his high-tech hand!

A cosplayer/costumer dressed as Marvel's Man-Thing.
Credit: Marvel Comics
The Man-Thing, man, with a mug of muck mead (perhaps) at his side (at his right knee, look closely). The advantage of being a muck monster is that you’ll always have a cup holder with you! Unlike the two Marvel figures above, this one's a live costumer.

Well that’s it for this week. Until next . . .

Saturday, June 10, 2017

My First Novella; R.I.P. Adam West ‘Batman’

Progress Report

I may be behind in my writing projects but I’m making progress. I just completed writing my first novella last night. It’s a virtual reality-video game sci fi/dark fantasy. Sure, it’s going to need a lot of revising but as many long-time authors will say, one of the most important steps in the fiction writing process is to finish the first draft. A year or two ago, I had started writing a novella but never finished it. I allowed myself to drift away from it and never resumed writing it. Maybe I’ll go back to it someday after revising this new one.

Besides finishing the first draft of my novella, I’ve been working on the cover to the print edition of “Circa Sixty Years Dead”. The illustration, title and byline lettering are all set up since I’m using the same graphics as I did for the ebook edition. But I need to write the back cover summary which shouldn’t take me long. However, I may need to examine a copy of the print edition before I can release it for sale. Amazon would have to send me the copy, or proof as they call it in the publishing industry, which could take a couple of weeks. You really don’t know how good a print book looks until you see it in actuality as opposed to on screen.

Portrait of Adam West in his Batman attire.
Credit: Wikimedia Commons/ABC Studios

Adam West ‘Batman’ Dies at 88

It seems that all year, Hollywood stars have been dying left and right. It may just be that many of them are up there in age and so they are naturally reaching the end of their life spans. Adam West, who was most known for the campy 1960s Batman TV series was one of them. He died at 88 Friday night. It’s hard to believe he was that old. So it was a shock when I saw the news about his death on SpyVibe, a blog that discusses ‘60s espionage fiction in its various mediums (movies, TV, books, etc.). Jason Whiton, the blog host of SpyVibe, has a far out article that pays tribute to Mr. West, which if you grew up watching the ‘60s Batman series like me (even though it was a little before my time, I watched the re-runs weekday afternoons), I strongly suggest you read it. It brought back a lot of the sensations I felt when I watched the series as a kid and so it will probably do the same for you.

Sure, Adam West’s Batman was not your Dark Knight Detective as we know the character today from Christopher Nolan’s movies or Tim Burton’s 1989 cinematic adaptation. But many of us came to know the true Dark Knight, the Gothic super hero, through the campy ‘60s series from when we were kids which therefore served as a starting point. So I owe a lot to Adam West’s Batman since it was what got me started on the Batman character to begin with. If I never watched the TV series, I probably wouldn’t be as much of the Bat fan that I am today.

I just finished reading a good sci fi novel which is nostalgic for the 1970s and millimeter filmmaking of monster movies. It’s called Mr. Fishback’s Monster, by Steve Sabatka, which I’ll try to have a review of here next time.

So, Bat fans, did you grow up watching the ‘60s Batman TV series? If not then what got you started on Batman?

Until next time, same Far Out Fantastic channel . . . !

Saturday, May 27, 2017

Quick TV Review: ‘The Man In the High Castle’

Intergalactic Expo wasn’t as enjoyable as it could have been. But that was mostly due to me. I went to bed too late the night before and so was tired. But you know, even though I turned down purchasing table space there for my books, one of the organizers came up to me and said my space was reserved. I didn’t believe her until I walked over to a corner on the second floor of West Sacramento’s City Hall, where part of the con was held, and lo and behold! Taped to the wall was a paper sign with my name written in marker! Just the space, no table which I’m glad because I’m not paying for a table I didn’t give my consent on. I didn’t have any of my books with me to present, anyway. But it was really nice that the organizers considered me, so I give them credit for that.

The Man In the High Castle: A Mini TV Review 

A vintage Sony portable television sits on a wooden surface.

For the first time in my life, I watched the very first episode of Amazon’s The Man In the High Castle a couple nights ago. It was really neat. The series is based on Philip K. Dick’s novel of the same name. It’s set in an alternative 1960s, after Nazi Germany and Japan won the second world war. It has plenty of suspense and great characters that you can actually sympathize with, unlike too many of these overly typical or stale TV characters in speculative programs today. Those seem to be based on some Hollywood violence exploitation action hero template. But not the characters in High Castle. This series’ characters are life-like and at least show potential to love humanity rather than just their own motives. Even the Axis Power characters show some of this potential as brutal as they are, a brutality that gives viewers the sense of just how horrible fascism can be. That level of realism can even serve as a warning for our own times.

Episode one of High Castle can be watched for free on Amazon’s YouTube channel.  If you are new to this series like me (I haven’t even read the book yet, as much of a Philip K. Dick fan that I am) then I strongly suggest you check it out there as soon as possible. It can disappear anytime (as with many YouTube videos).

A castle floats above clouds as a bird of prey flies by and a flying machine floats in the background.

Memorial Day Weekend Catch-Up

I’ve been trying to catch up with my fiction projects and even though I’ve been making some progress it’s not as much as I’d like. I’m going to try to get some more work done on them through this three day weekend since it will give me more time to get caught up. I hope to have more progress to report by next week. Enjoy the rest of the Memorial Day weekend.

Until next time . . .  

Sunday, May 21, 2017

History and Horror of Sci Fi, and the Return of Intergalactic Expo

Four star fighter ships floating through space.

It’s that time of year again for Intergalactic Expo, one of Sacramento’s biggest local sci fi cons. I was trying to rent table space there to sell my books but unfortunately it didn’t work out, mostly due to pricing and lack of space. Let alone lack of tables. I told the facilitators of the con that I would be willing to bring my own blanket and lay it out on the floor or lawn somewhere along with my merchandise like they do at middle eastern and North African bazaars but they said it would demean the con’s reputation. Good grief! It’s a sci fi con, anything should go! Well okay, almost anything. They can’t have real light saber duels or somebody could get hurt, not to mention that there probably isn’t a way to make real light sabers yet. So, Star Wars fans, you’ll have to settle for glass and plastic ones. I just thought my suggestion of the blanket would add to the exoticism of the con’s theme.

So you won’t see me there. Or at least not as presenting anything. Feel free to come up and talk sci fi/fantasy and writing if you see me walking around. It starts Sunday 21 May at 10 A.M. and goes on til 6 in the evening in. See the above link for more details. The author who is scheduled to be featured there is Davidson Haworth. He’s a historical fantasy writer said to be “the first writer to reinvent book tours byconducting his signings at pop culture conventions.” 

Intergalactic Expo started back in 2013 as May the Fourth Be With You, which was mostly a weekend Star Wars con. But ever since the fourth of the month moved away from the weekend, starting in May 2015, it’s been renamed “Intergalactic Expo” and caters to all things sci fi. However, one of the things I’ll miss this year are its speculative genre panels. Last year they had two really great panels: one on the history of science fiction and the other on defining steampunk. I wrote about the former in an article at and the latter here at the Fantastic Site. If you missed the article presented here then you can read it by going to the above link. If you never got a chance to read the article presented at then you’ll never get that chance again. was sadly shut down only a month or so after I published that one. But don’t despair! I have the honour of presenting it to you in its original format right here!

Daniel Batt talks about the horror of sci fi at Intergalactic Expo (from 20 May 2016)
Many argue that “Star Wars” isn’t science fiction for the reason that the science isn’t believable unlike in a movie such as “The Martian”. Animals such as Banthas and Tauntauns on planets “in a galaxy far, far away” just aren’t as plausible as absence of life on Mars in our own solar system. In the same way people have argued what science fiction is, they have argued when it began. But author J. Daniel Batt’s (pronounced ‘bot’s’ as in robot!) showed a very open mind to both the genre’s definition and history in his panel, “The History of Science Fiction”, held in the City Hall Council Chambers at the annual Intergalactic Expo in West Sacramento last Sunday. He even said some argue that the genre goes as far back as primitive man. The reason for this is, he explained, that, like today’s science fiction, the stories primitive societies told speculated what existed beyond their own surroundings. While the beyond for them may not have been other planets or future tech but a more nearby unexplored region such as a dark forest or valley, a primal emotion that these stories provoked was fear. Because of this, Batt said that science fiction and horror are very close to each other. Sci fi has often been a mixed genre with that of horror at least since the 18th century
Out of the ancient tales of underworld monsters and evil spirits evolved many of today’s terrors in sci fi. Horror in sci fi goes at least as far back as Mary Shelley’s “Frankenstein”. After all, it was a scientist who created the monster that went on a murderous rampage. In the 1950s, the sci fi horror mix was inspired by fear of the atom bomb. This spawned movies and pulp fiction stories about monsters from forbidden regions of the world such as the ocean depths and subterranean environments where the effects of atomic energy created over-grown creatures such as lizards, spiders and insects.
But the genre in the ‘50s did not remain earthbound. The concern about atomic energy along with the space race also brought stories of hostile, god-like as well as demonic-looking aliens from the dark abysses of space. During that period, movies such as “20 Million Miles to Earth”, “It Came From Beneath the Sea”, and “Tarantula” terrified audiences in theaters. In the ‘60s movies about alien vampires and other scientifically explainable living dead creatures became popular. The ‘70s saw the rise in popularity of movies involving parasitical monsters like the one in “Alien”.
We need to remember that much of the zombie craze in today’s films, TV and books started with movies like 1968’s “Night of the Living Dead”. This movie was one of the earliest to replace magic with science as the source of zombie uprisings. Since then, zombies have been one of the biggest icons of science fiction-horror and have become even more so since the premier of “The Walking Dead” TV series in 2010. “Thanks in no small part to [the] show’s massive across-the-board popularity, zombies have now thoroughly infected and colonized mainstream pop culture”, says Joshua Rothkopf in a “Rolling Stone” article. They couldn’t have “infected and colonize” sci fi any less!
As robots, artificial intelligence, and virtual reality become less science fiction and more science fact, the fears behind scientific-horror stories of all mediums are far from being snuffed out. If anything, they will be enhanced and create more terrifying stories as other technological innovations and scientific discoveries are made. Each new discovery in science and technology brings some degree of fear, because--like with the dark forests that surrounded primitive societies, like with the unexplored reaches of space that we now know surrounds our solar system--there will be some degree of the unknown. As it is human nature to fear the unknown, it’s also human nature to question out of curiosity what lies beyond. Science does this latter to begin with. So there will continue to be science and new technology to make more horror in science fiction.

Project Status

Besides being behind in book tours, I’m still behind in “Circa Sixty Years Dead”’s [link] print edition (which I would need a copy to present at a book tour). My day job doesn’t allow me the amount of time I’d like to have to work on it and so I’ve only been giving it one or two hours a week. Plus I’m writing an article about sci fi/fantasy books and television for an online magazine. I can’t tell you the article’s specifics at this time but I’ll definitely let you know and link to it when its published.

I’ll have more about Intergalactic Expo and “Circa Sixty Years” here next week.

Until then . . .  

Friday, May 5, 2017

Free Comic Book Day and ‘Circa’ Print Edition Update

Comic book sound effect

This Saturday I have to find a way to squeese in my writing projects so I can celebrate Free Comic Book Day. So if you’re shocked to see this post out earlier than usual, that’s why.

Taking Time Out for Free Comic Book Day

Comic strip panels containing silhouetted men and street signs.

Is an author being undisciplined by taking out valuable writing time to hit the comic book shops to celebrate a relatively new holiday like Free Comic Book Day (which debuted in 2002)? Not if comics influenced his/her writing. After all, comic books are a form of literature and while they are not a substitute for prose, they are still a form of story-telling paired with art making it one of the most distinctive forms of pop art of the 20th century and beyond. This is a fact that is being accepted more each year since many of the most renowned science fiction and fantasy authors have written comic books along side their prose fiction. Some of these authors are ones such as Neil Gaiman, Margaret Atwood, and Harlan Ellison.

If you’ve never been to a Free Comic Book Day event then check out the list of links below that serve as guides. These include Free Comic Book Day’s official page and locator tool that will help you find comic stores in your area that are celebrating the day. Another link is to national news radio NPR which also puts out a guide for the holiday. NPR covers many significantly world-impacting issues from presidential elections and foreign affairs to sciences and the arts. So there’s another example of how the comic book medium is being taken more seriously!

     Free Comic Book Day Resources

And if you’re in the Sacramento area, then check out two of Sacramento’s best comic shops: Empire comics Vault, and Comics and Collectibles (those are only two of the best!). They’re both celebrating the holiday by featuring live appearances of some of the finest comic book writers and artists in the area such as Chris Wisnia, Kepi Ghoulie (former musician of the now broken up Groovy Ghoulies punk band), Kyrun Silva and even nationwide artist Eric Nguyen of Marvel’s Old Man Logan!

A manga/anime girl in a dance/combat pose.

‘Circa’ Print Edition Update

I have my pages set up for ads in the print edition of “Circa Sixty YearsDead”. I also put in the header information (author’s name and book title) on each page of the body text. Now I just need to insert the ads themselves, including their illustrations, and see about converting the manuscript to HTML so it will upload easily to Amazon. I’m hoping I can get that done by next week. So be sure to tune in here next time for more news on that.

Until then . . .