Skip to main content

Author Alan Dean Foster Demands Disney Pay Him Royalties

A squadron fighter-like spaceship flies toward a nebula cloud.
Credit: Pixabay.com


To find out how you can read this post without ads, visit my Patreon page!
 

Weā€™re already coming to the end of the month and, Iā€™ll admit, Iā€™m behind on distributing Patreon page benefits. And for that reason I may have to reduce the membership prices for November (members are billed on the first of the month). But, because it has not been at the market value for at least a year, Iā€™m also going to have to raise the price on my short fiction collection, ā€œThe Foolā€™s Illusionā€, soon. But thereā€™s a way you can get a free copy now and discounted copies after that and Iā€™ll tell you how in a bit. First, Iā€™d like to talk about one of the biggest sci fi news events going right now which is author Alan Dean Fosterā€™s problem with the Disney Co.


Alan Dean Fosterā€™s Demand to the Disney Co

Alan Dean Foster, the author of numerous books based on the ā€œStar Warsā€ and ā€œAlienā€ film franchises, reported to the Science Fiction and Fantasy Writers of America (SFWA) that the Disney Co has not been paying royalties due to him. Foster basically started the line of ā€œStar Warsā€ fiction beginning with the novel adaptation of the very first movie, now subtitled ā€œA New Hopeā€. He wrote and published the first ā€œStar Warsā€ novel sequel, ā€œSplinter of the Mindā€™s Eyeā€, in 1978--two years before the movieā€™s sequel, The Empire Strikes Backā€, released. When Disney bought Lucasfilm and 20th century Fox, they acquired the ā€œStar Warsā€ (Lucasfilm) and ā€œAlienā€ (Fox) franchises. This included the rights to the books. 

In a letter to Disney, Foster wrote that when a company buys another company they acquire both its assets and liabilities. In this case, the liabilities are royalties owed to the author. He says in the letter that Disney is only taking the benefits of the assets and not the responsibility for the liabilities. He also says that Disney has gone as far as ignoring requests concerning the issue from his legal representatives. After saying how much he loves Disneyā€™s work, including its movies, amusement parks and the ā€œDisneylandā€ TV show he grew up with, he does not believe that Walt Disney himself who founded the company would approve of cheating the author out of royalties. 

According to, Mary Robinette Kowal, president of the SFWA which advocates for speculative fiction authors, Disneyā€™s argument is that theyā€™ve only purchased the rights of the Lucasfilm and Fox properties but not the liabilities. She says in her announcement of the affair, ā€œThey believe they have the right to publish work, but are not obligated to pay the writer no matter what the contract says.ā€ Along with this, she implies that if they can cheat a long-time, well-known sci fi writer such as Foster then they can easily do that with new, younger writers who do not yet understand contracts. She offers Disney some choices to resolve the breach of contract with Foster and then says ā€œRegardless of choice, Disney must pay Alan Dean Foster.ā€ 

And thatā€™s what I say too: Disney must pay the author. But the company has had a disregard for the human element in art. Ever since around the time Michael Eisner took over as CEO in the 1980s, the company has turned from an emphasis on utilizing its own work based on Walt Disneyā€™s style and vision to one on buying out media properties left and right. It bought out ABC, ESPN, Lucasfilm, Marvel Comics, and lately 20th Century Fox. Along with this, itā€™s been adding creations from these properties to their own. Walt Disney and the ones who took over his company after his death in the 1960s, overall, relied on their own creations or their own interpretations of other peopleā€™s creations such as the fairy tales they adapted into animated feature films. 

Now the company is about imperializing entertainment media rather than providing it. This poor ethic has led Disney to have a disregard for George Lucas and his ā€œStar Warsā€ films, Walt Disney himself, its employees, artists and the artists of properties it has acquired. And Foster is included in that last category. 

I have not read a lot of Fosterā€™s work mostly because I donā€™t read fiction based on movie and TV franchises. But thatā€™s beside the point. The point is that I believe in paying the author for his/her hard work. If Disney gets away with exploiting a big name author such as Foster, theyā€™ll too easily get away with exploiting authors who are new and beginning to acquire success. Authors have their rights as human beings and the care of human beings needs to come first, that of mega corporations later (if ever). Like Walt Disney, Harlan Ellison would also probably not approve of this treatment that Fosterā€™s been getting. He would say that Disney has to pay the writer.  


How to Get Free and Discounted Copies of ā€œFoolā€™s Illusionā€

And now let me tell you how you can get your free copy of ā€œThe Foolā€™s Illusionā€ as well as discounted copies. As I said, I am going to have to raise the price to its market value which is $4.99 for the ebook version. Right now Iā€™m offering the ebook for free through my Patreon page. All you need to do is purchase a Patreon membership at my page for as low as $2 a month and you wonā€™t only get the free book but youā€™ll also get your name published in a thank you message for supporting my work. Then, when the price of the book goes up next month, youā€™ll receive discounts on copies. Visit my Patreon page for more details about memberships. 

If you donā€™t want a membership, then you can purchase the ebook at its now low price of 99 cents either at Smashwords or Amazon. Whichever route you take, the Patreon route or the 99 cent route, I would purchase the book now because it will go up in price by December. If you already have a copy, well then nowā€™s the perfect time to do some early holiday shopping for a loved one!


Next week, Iā€™ll have the Book-To-Movie for the month. Until then, have a Happy Thanksgiving! Yes, there are still some things to be grateful for even during this time of Covid-19. For one thing, weā€™re alive! 

Do you think the Disney Co should pay Alan Dean Foster royalties regardless of them owning the Lucasfilm and Fox properties? 

Until next time . . .  




Comments

  1. Hopefully he wins the legal battle on that one or it will set a very bad precedent.

    ReplyDelete
    Replies
    1. I agree. A lot of us writers are not going take it too well if the Disney Co gets its way. It would be a threat to authors in future instances.

      Delete

Post a Comment

Popular posts from this blog

Book-To-Movie: Stephen Kingā€™s 'The Raft'

Credit: Pixabay.com It's the third Saturday of the month and so that means it's time for another Book-To-Movie ! In a Book-To-Movie we review a book and its movie adaptation. One of the reasons I as a horror fan donā€™t read a lot of Stephen Kingā€™s work is because most of it consists of novels that go more than 400 pages. I have a short attention span when it comes to reading, ironically since I consider myself an avid reader, and so I normally wonā€™t read a work that is much more than the equivalent to a 350-page mass market paperback. The other reason why I donā€™t read a lot of Kingā€™s work is that, as literary scholars will tell you, a lot of his writing is poor. However, he does have some good writing in his works, especially his earlier stuff, including his short horror tales. So if I read anything by Stephen King itā€™s usually his short stories or novellas. One of his collections Iā€™ve read is Skeleton Crew which includes some of his good, or at least...

Book-To-Movie: ā€˜The Hound of the Baskervillesā€™

Credit: Wikimedia Commons I apologise for posting outside our regular post-day which is late Saturday night/early Sunday morning. However, I got behind on several things last week and so had to postpone the post to today.  Iā€™ve been a reader of Sir Arthur Conan Doyleā€™s Sherlock Holmes books ever since I was 11. What Iā€™ve always liked so much about the series is that, like a good horror story, the stories often take place in dark settings and involve bizarre cases. Conan Doyleā€™s novel, ā€œThe Hound of the Baskervillesā€, definitely contains these elements. Itā€™s a detective story that crosses over into the gothic horror genre. Several movie adaptations of the novel have been made that go as far back as a 1915 German silent film. In 1959 Hammer Studios released a version starring Peter Cushing and Christopher Lee. As much as Iā€™m a fan of the Hammer horror films, I have not seen that one yet. The only one that Iā€™ve seen so far is the 1939 adaptation starring that other big name in classic...

Return to Fiction Writing; Graphic Novel Based on Lost Horror Film

Credit: Wikimedia Commons Some of you may had noticed that I skipped posting back on the 4th of the month, as far as Monday posting goes. I posted for the IWSG blog hop that Wednesday and it didn't make up for that Monday's missed post since I said I had to keep it short. I had to reduce the writing during that week because, as I also said in that IWSG post, my mom passed away back in October and so that was the week of her funeral. I just got back on track earlier last week (Wednesday I think it was) and so that included returning to working on my fiction projects, namely my upcoming short story collection, "Bad Apps". Needless to say, I'm back on track with my weekly blog posts. So, I have some about my latest progress on "Bad Apps" and, in sci fi/fantasy news, about an upcoming graphic novel adaptation of a lost silent horror film that starred Lon Chaney Sr. Back On Track with ā€˜Bad Appsā€™ My short hiatus from my fiction writing wasn't really a ful...