Skip to main content

‘Dangerous Visions’ and Harlan Ellison Memorial Library

A female robot stands in the midst of a decaying city.
Credit: Pixabay

To find out how you can read this post without ads, visit my Patreon page! 

There’s been a lot of big things going on in sci fi and fantasy news this past week! One of the biggest is the announcement of memorialising the late Harlan and Susan Ellison’s home into a library. But in connection with that is an upcoming volume of an anthology series that features dark and terrifying futuristic fiction that Mr. Ellison had edited, “Dangerous Visions”. 


Third and Final Volume In An Anthology Series

The new “Dangerous Visions” anthology will be the third and final volume in the series, according to science fiction/fantasy TV writer/producer, J. Michael Straczynski. The first book in the series, “Dangerous Visions”, was published in 1967 and the second, titled “Again, Dangerous Visions”, in 1972, both of which were edited by Harlan Ellison. According to Straczynski, in 1973 a third and final volume, “The Last Dangerous Visions” (LDV), was announced and had a planned 1974 release date but was never finished. He says that the delay in the completion and release of the third book “have evolved into the greatest mystery in the field of science fiction.” The explanation for the book’s delay, Straczynski says, was only given to a very small number of people but it will be revealed to the public when the book is completed. 

LDV will consist of stories intended for its earlier release as well as new stories. That first category consists of works that are as relevant now as they were when they were first written, says Straczynski. The new stories will be ones by today’s popular writers in the speculative fiction genre (the names of these authors have not yet been revealed to the public) and ones by new, young authors. The book will also feature illustrations by Tim Kirk. 

In addition to the above contents, a never-before-published work by Harlan Ellison, one that is directly connected to “the reason why ‘The Last Dangerous Visions’ has taken so long to come to light”, will be included. This work will “close off the last of Harlan’s major unpublished works.” Combining the stories of the original release date’s era with those of today will reflect both the book’s initial 1970s period and our own 2000s while looking toward possible futures. Straczynski says that “The Last Dangerous Visions” will go to market around March or April of 2021. 

The Harlan and Susan Ellison Memorial Library

The royalties from the sales of “The Last Dangerous Visions” will be put into upkeeping the upcoming Harlan and Susan Ellison Memorial Library. This library will be on the Ellisons’ Southern California home property, known as Ellison Wonderland, as they had desired, says Straczynski. Straczynski, who is Executor of the Ellison Estate, says that people will be allowed to tour the estate in small groups and academics will be able to study Mr. Ellison’s correspondence and original manuscripts and drafts. Also, in the works is the declaration of the Ellison house as a Cultural Landmark. 

Straczynski is offering a chance to Ellison fans to help pay the costs of both upkeeping the estate as well as transitioning it into a Trust. Fans can do this by purchasing membership with one of Straczynski’s Patreon tiers that he will make available for five months through April of next year. Membership through this tier will give Patrons first knowledge of the names of authors contributing work to the anthology, first glance at parts of manuscripts and story excerpts before the book goes to publication, as well as glances at the illustrator’s art. 

Also In the Week’s Sci Fi/Fantasy News . . . 

New Editor of “Magazine of Fantasy and Science Fiction”: Author Sheree Renee Thomas has been appointed the new editor for “The Magazine of Fantasy and Science Fiction”. Thomas will take over as editor starting with the March/April 2021 issue, according to Tor.com. The publication was started in 1949 and is one of the few remaining speculative fiction print magazines. Many big name speculative fiction authors contributed work to the magazine including Robert Heinlein, Ray Bradbury and Harlan Ellison. 

Short Story Series at Wired: From now until the end of the year, Wired.com will feature science fiction stories from six authors in the genre in a series called “The Future of Work”. These stories will deal with the relationship between humans and machines in the future work environment. The first of these stories released Friday, November 13th.


What big name speculative fiction writers do you think will contribute work to “The Last Dangerous Visions”? Will you try to visit the Harlan and Susan Ellison Memorial Library when it opens (date has not yet been announced)? Feel free to drop your answers and any other comments in the box below. 

Until next time . . . 


Comments

  1. You really have your finger on the pulse of what is happening. I feel really out of the loop.

    ReplyDelete
    Replies
    1. Don't feel bad. We're all busy with our lives; there's things that I miss. We can only do the best we can. Thanks for reading!

      Delete

Post a Comment

Popular posts from this blog

Book-To-Movie: ‘The Andromeda Strain’

Credit: Pixabay.com To find out how you can read this post without ads, visit my Patreon page !   It’s time for our monthly Book-To-Movie ! For those of you who are just tuning into this blog, a Book-To-Movie is when we review a work of prose fiction and its movie adaptation. Today we are reviewing another book and film relevant to today’s pandemic: Michael Crichton’s novel, “The Andromeda Strain” and its 1971 movie adaptation. Crichton  is the writer of suspenseful science fiction, what would commonly be called today, science fiction thriller. “The Andromeda Strain” is exactly that. However, as good as this novel is, the suspense in the movie adaptation plays out better.  The Book In “The Andromeda Strain”, published in 1969, a NASA satellite returns to Earth carrying an alien virus. It lands in a small Arizona town by the name of Piedmont where the virus infects and kills everyone except an old man and an infant. A team of four scientists go to a top secret lab in Nevad...

Book-To-Movie: ‘The Lawnmower Man’

Credit: Pixabay Warning: This review may contain spoilers. In past Book-To-Movies, we’ve reviewed several movie adaptations of books and short stories by famous science fiction and horror authors. All those films have stuck to the plot of the original work to at least some recognizable degree. But this week’s Book-To-Movie will be the first to review a film that does a poor job of staying faithful to the original plot. The film is 1992’s “The Lawnmower Man” which is based on Stephen King’s short story of the same name. Even so, the movie is a really good one. So then what’s the problem? The problem is that it’s hardly an adaptation and so more its own story simply with the title of King’s short work slapped onto it.  ‘The Lawnmower Man’: The Short Story Stephen King’s “The Lawnmower Man” originally appeared in “Cavalier” magazine in 1975 and was then collected into his book of short fiction, “Night Shift” the following year. The story’s protagonist is a middle-aged husband and dad ...

4 Space Opera Books That’s Heroes Will Remind You of Han Solo

Credit: Pixabay.com No doubt that there’s been some big Star Wars news this week! Friday was the 41st anniversary of the first Star Wars movie, A New Hope , and so the birthday of the entire franchise. The day before, Solo: A Star Wars Story released in theatres. I haven’t seen this new Star Wars film yet but plan to tomorrow. But in celebration of the new movie I thought it would be neat to list four of my favourite space opera books that’s central characters share the same swashbuckling, rogue archetype as the Han Solo character does. Han Solo’s archetype, or primal character-type, combines traits of the cowboy, the pirate and the wandering adventurer. Characters who have these traits are often loners of a sort, are daring and don’t let the law stop them from doing what they feel they have to. Often the legal system that they defy is one that is set up by a corrupt establishment and, in the case of space operas, that establishment is often an empire. Even tho...